Srdx silverfast full#
Srdx silverfast software#

Srdx silverfast software#

I then chose “Mark” mode to see where the software detected (and would correct) the problem dust and scratches in the image. The Expert settings are accessed by clicking on the “graduation cap” at the bottom. The Masks are used for drawing larger areas for correction, like sky and ground. The Detection and Tile size sliders are key elements. The Mode dropdown menu has Mark, Correct and Original settings. 1:1 (Exact Preview) will show adjustments and bring up the Navigator where you can move a selection area around the print for fine tuning that’s where to begin the work.

Srdx silverfast full#

Starting at the top, the three boxes allow you to toggle between full and closeup views (the HQ box renders a “high quality” preview that for me was a bit slow in rendering and not necessary for the work). The SRDx dialog box contains many options for viewing and correcting images. (Note: You can toggle back and forth between full frame and Exact Preview using the Zoom button on the vertical tool bar or within the dialog box itself.) I then clicked on the 1:1 button to get an Exact Preview, which opened the Navigator that allowed me to move around the image to check for blemishes. Once the preview scan was made and initial corrections and settings were accomplished I clicked on the SRDx button on the vertical toolbar. Note that there are numerous and plentiful film profiles installed that help you get on your way. using the various and sophisticated tools provided.Īll this is interactive with quick previews that show you the result of your processing decisions. The overall scan procedure is not within the purview of this article, but simply stated you set the film type, desired resolution (which will depend on your scanner capabilities), set up contrast, brightness, saturation for color and tonal relationship for black-and-whites etc. At first, the software can be daunting, but the company has numerous videos and tutorials available on their site, as well as a training offering. Overall, SilverFast scan software works on a quite logical basis, with tools that follow the workflow from left to right and top to bottom. The latter is paramount because a film scan, while digital files result, does not have the leeway that a digital camera file provides: you are in essence “locking in” certain parameters when scanning. Secondly, do not be lazy about making corrections that you assume you can correct later. For starters, do not get too interpretive, that is, give yourself room to play and scan for as full a range of color and tone as possible. (You can find our previous coverage of this scanner here.) For this review I worked with Plustek’s OpticFilm 8200i scanner for 35mm film size. I contacted LaserSoft Imaging and downloaded the new software. David’s reviews were classics on both the product review and overall scanning tutorial side.) (Type SilverFast into the Search box at the top of and you’ll find numerous reviews by myself and David Brooks.

I had previous experience with SilverFast so knew the basic workflow. The same went for Kodachromes, my main choice for color transparencies. For many years, much of my work was on a variety of black-and-white negative films and while I was fairly diligent about proper archival materials for storage there were some inevitable mars and blemishes on older images. When I first got word of this new SRDx feature in SilverFast Ai Studio 8 I was eager to try it out. Could SRDx help me rescue this image before it deteriorated more? While stored in archival materials, tide and time did its number and there is embedded dust and some scratches on this negative, not atypical of work from that far back. Here’s a very small detail of a shot made on Tri-X in 1974. SRDx, which comes in SilverFast’s Ai Studio 8 scanner software, is a dust and scratch removal clean-up tool for black-and-white negatives and Kodachrome. That’s all changed with a new breakthrough in scanning technology from LaserSoft Imaging called SRDx, which can work with scanners without the need for installed IR-channel capability. This made cleanup of these images a particularly laborious task that required patience, skill and select image editing programs. The only problem was that because of the distinct nature of their emulsions, black-and-white negatives and specifically Kodachrome slides could not benefit from this procedure. This software/hardware solution worked with numerous scanners by isolating the offending dust and scratches on a separate infrared channel that it then dumped when the final scan was made. Digital Ice and similar dust and scratch cleanup tools for scanning color negative and non-Kodachrome slides was a boon for those looking to archive/digitize their film files.